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1. Prélude 3. Clair de lune 4. Passepied Parts for both Bb and C trumpets are included.
Brass octet based on nordic folk songs which consists of 7 movements. One third of the suite is arrangement of previously composed folk songs, another one third is music structured by using phrase and motifs from folk songs, and the last one third is newly composed music inspired by those folk songs.
Parts for both Bb and C trumpets are included.
Parts for both Bb and C trumpets are included.
Sonata Sancti Polycarpi was composed by Heinrich Ignaz Franz von Biber in 1673 for 8 trumpets, timpani and basso continuo. This arrangement is for two choirs of 3 trumpets and trombone each. Original pitch is in C (one note higher).
Sonata No.16 is composed by Dario Castello who was an instrumentalist (probably cornettist at St Marc.) in Venice in the first half of the 17 century. This piece is included in the second volume of his sonatas (published at Venice in 1629). The theme and the subtitle are not attached to this piece, however it is a song reminiscent of the war that was a fashion at the time. In this arrangement, taking advantage of the change in the musical thought, original 4 parts composition is expanded to ten parts, and in a style that the two quintets play as if two team are battling each other.
March for 6 trumpets and timpani in Rondo form composed by Karl Jacob Wagner. Performance pitch would be in C or in B flat.
"Aria per il Balletto a Cavallo" was composed by Johann Heinrich Schmelzer for the Wedding ceremony of the Emperor Leopold held on January 24, 1667. Those pieces were played by many trumpets, trombones and strings. And the horse ballet was displayed with the choreography. Here, five pieces are arranged for 8 part brass ensemble which contains two banda trumpets.
Five pieces for 4 trumpets and 4 trombones are arranged from the dance music of William Brade. Dynamics and ornamentation can be altered with the taste of players. The original source are as follows; 1 Allmand - XXIII from "Newe auserlesene Branden, Intraden, Mascheraden, Baletten (1617) " 2 Galliard - XXI from "Newe auserlesene Paduanen, Galliarden, Canzonen, Allmand und Coranten (1614)" 3 Irish Dance - XXVI from "Newe auserlesene Branden, Intraden, Mascheraden, Baletten (1617)" 4 Scottish Dance - XVI from "Newe auserlesene Branden, Intraden, Mascheraden, Baletten (1617) " 5 Cornish Dance - XIII from "Newe auserlesene Branden, Intraden, Mascheraden, Baletten (1617) "
This waltz is one of the representative works of Strauss. It has a bright tropical atmosphere as the title.
Golliwogg's Cakewalk from Children's Corner, composed by Claude Debussy. This version is for ten part brass ensemble.
Parts for both Bb and C trumpets are included.
Parts for both Bb and C trumpets are included.
I. Danse Prélude - Valse Modéré (Dance of the Nubians) III. Entrée des jeunes Nubiennes (Ancient Dance) VI. Variation d’Hélène (Mirror Variations) VII. Final - Entrée de Phrynée (Phryne's Dance) Both Bb and C parts are included for trumpets.
I. Danse Prélude - Valse Modéré (Dance of the Nubians) III. Entrée des jeunes Nubiennes (Ancient Dance) VI. Variation d’Hélène (Mirror Variations) VII. Final - Entrée de Phrynée (Phryne's Dance)
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Fanfare from music for "Le Roi Lear" (King Lear), arranged for ten-part brass ensemble. The original music was written for 4 horns, 3 trumpets, snare drum, timpani and 2 harps.
Arrangement of the famous Divertimento for the trumpet sextet. Soprano bugle (in G, 3 pistons) used in American drum & bugle corps is specified, but if the instrument can not be obtained, substitute with other instruments or adjust octave as appropriate.
A comical duet sung by Papageno and Papagena at the finale of "The Magic Flute".
Chorale from Cantata No. 147, commonly known as “Jesu, Joy of Man’s Desiring”, arranged for brass quartet. Transposed to F major (original: G major). Parts for both Bb and C trumpets are included.
Erik Satie / "Three Pieces in the Form of a Pear" Arranged for ten-part brass from piano four hands. 1. Manière de commencement 2. Prolongation du même 3. I 4. II 5. III 6. En plus 7. Redite
I. Largo - Molto allegro III. Adagio VI. Theme and variations VII. Finale. Molto allegro Duration: 25 minites.